Comparing the Minority Experience in Baby of the Family,...

Women Minority Experience in Baby of the Family, and House on Mango Street The two novels Baby of the Family, and House on Mango Street expose the minority experience through the perspective of a child, struggling to find an identity in their own unique views of the cultures they are growing up in. The life of Lenas family, one of an upper class African American family in the southern part of the United States, appeals to the ideal of the New American as her family blends the dominant culture with their minority background in their everyday life experiences. Esperanza is a Hispanic youth, growing up in a barrio, where there is not much to offer the Hispanic locals. She ultimately feels the profile the of the New American in her†¦show more content†¦Each author exposes us to the aspect of the minority cultural background clashing with the dominant culture as both Lena and Esperanza notice the obvious differences in their economic backgrounds from other people in their area. Lenas father, Jonah, is the ideal New American because he is able to bridge his way out of the ghetto lifestyle, starting his own successful business. The typical stereotype of the African American male is a lazy, out of work, living off the governments welfare programs (Murray 18). This is certainly not the case for Jonah MacPherson, as he has established himself as a pillar of the community. The Place is a local popular hangout for the neighborhood residents, and many of the regulars soon become part of Lenas extended family, as she becomes very comfortable in situations that might be awkward for other youths. Jonah does maintain a link to the urban ghetto lifestyle as he assumes the role as a type of loan shark, hustling the weekly poker games to put a little extra cash in his pocket. But he shows the maturity of a respectful citizen as he always shows the neccessary respect to the elderly people of the community never forgetting his ethnic roots. The MacPherson family respects him because he is a wonderful provider, who is a role model for not only his immediate family, but also the other members of the

Synthetic Muc1 Based Anticancer Vaccines - 1428 Words

More recently in 2011, Li and coworkers reported fully synthetic MUC1-based anticancer vaccines containing mono-, di- and tetravalent B-cell epitopes conjugated to TLR2 ligand (Figure 1.11).157 The B-cell epitope, MUC1 glycopeptide (HGVTSAPDT*RPAPGS*TAPPA) containing Tn and/or T antigen and TLR2 ligand, Pam3CysSK4 were prepared by solid-phase synthesis. Conjugation of MUC1 glycopeptide epitope and multivalent alkyne-functionalized lipopeptide (TLR2 ligand) was performed by using Cu+ catalyzed click chemistry (Figure 1.11). The tetravalent glycopeptide-lipopeptide candidate bearing the STn-antigen was more immunogenic compared to its monovalent and divalent counterparts and the tetravalent candidate (Figure 1.11c ) was able to initiate CDC-mediated killing of tumor cells.158 Figure 1.11. Structural representation of multivalent MUC1 glycopeptide conjugates with the TLR 2 ligand. Another two-component therapeutic glycopeptide vaccine developed by Dr. Li’s group contained the MUC1 tandem repeat sequence covalently attached to BSA or different tetanus toxoid derived T-cell peptide epitopes.159 In this study, the MUC1 tandem repeat glycopeptide sequence HGVTSAPDTRPAPGSTAPPA that was decorated with various combination of T-,Tn- and STn-antigen, was coupled to three different universal T-helper cell epitope peptides, P2 ( TT830–843- QYIKANSKFIGITE), P4 (TT1273–1284- GQIGNDPNRDIL), and P30 (TT947–967-FNNFTVSFWLRVPKVSASHLE) and to BSA (Figure 1.12). It was found that the vaccine

Pocahontas †Cultural Anthropology Free Essays

Writing Assignment #1: The Cultural Construction of the Idea of Progress Film chosen: Pocahontas One of Walt Disney’s most famous films, Pocahontas, takes place in the 1600s, as the British discover parts of the â€Å"New World† that are inhabited by native Americans. In this film, we are able to contrast the primitive lifestyle and culture of the Native Americans to that of the British, and are able to see how the ideas of â€Å"progress† or social evolution play a role in the ethnocentric bias held by the Westerners during this time, causing the primitive stereotypes to be built. Disney uses the structure of the characters themselves- what they wear, how they speak, what they eat, what they believe in, etc. We will write a custom essay sample on Pocahontas – Cultural Anthropology or any similar topic only for you Order Now ; and the plot line of the film, to depict the cultural construction of the idea of â€Å"progress†, and evoke the opposing ideas of the â€Å"primitive other† and â€Å"civilized self†. This film opens showing us the life of the British as they board the ship and while they’re sailing at sea. Disney starts off with the British because we as westerners relate to the British, and see their way of life as normal and civilized. We immediately relate to the color of their skin, their westernized clothing, the way they speak, and the technology they have access too. While on the boat, John Smith (the male protagonist) refers to the Native American Indians as â€Å"savages† who should be killed if they get in the way. This gives us a sneak peak into the mindset of the British and how negatively they view the Native Americans. Leaving us with the belief that the Indians are savages, Disney then introduces Pocahontas (the female protagonist) and the Indian tribe that has been living in the New World. Immediately we are exposed to the primitive lifestyle of the Indians. We see that their way of traveling is by wooden canoes, their clothing consist of a brown cloth that covers very little while they also do not have on shoes, they live in tents, and have nothing but nature at it’s purest form surrounding them. We see the women out in the fields gathering corn by hand, while the men are coming home from battle, with only bows and arrows and spears for weapons. The initial reaction to seeing the culture and way of life amongst the Indians is to see them as â€Å"uncivilized† and â€Å"savage†, just as John Smith was saying on the boat. However throughout the film Disney begins to challenge this belief and shows us that the westerner’s way of life may not be the best way of life for everyone. Up until this point, John Smith and the rest of the English men had been discovering new places and finding Native American’s that had been living for many years on these foreign lands. The Europeans always saw these natives as uncivilized, barbaric savages, who needed to be taken over and â€Å"westernized†. John Smith makes a comment to Pocahontas about how they could make the Indians life better, and build them roads and tall buildings, and teach them how to â€Å"make the most of their land†. This is a perfect example of the ethnocentric bias mentality of the Europeans. They never once considered that someone else’s way of living and culture could actually be a successful. They thought that their way was the best way, and anything else was just an underdeveloped, barbaric lifestyle that needed to progress into the westernized lifestyle. After John Smith makes this comment about â€Å"bettering the Indian’s life styles† Pocahontas is deeply offended and proceeds to sing the popular song, The Colors of the Wind. In this song Pocahontas calls John Smith out on his ethnocentric stance and shows him her point of view, in singing: â€Å"You think you own whatever land you land on, The earth is just a dead thing you can claim, But I know every rock and tree and creature, Has a life, has a spirit, has a name. You think the only people who are people, Are the people who look and think like you, But if you walk the footsteps of a stranger, You’ll learn things you never knew you never knew. † For the first time John Smith begins to listen to Pocahontas and realizes how ignorant him and his crew have been to think they can claim any land they come across, treating the natives like wild beasts. All this time the Europeans have looked down upon the primitive culture of the natives, thinking that they were sub-human, and needed to be nurtured and tamed just like animals; however in this moment John Smith see’s the free spirit in Pocahontas, and he admires her connection to the nature all around her. He begins to see that the Natives are just normal human beings in their natural element, a thriving off of the world around them, with no need of technology, or any of the advancements the westerners were bringing to the New World. Overall, Disney’s film, Pocahontas, does a wonderful job contrasting the cultures of the â€Å"primitive other† and â€Å"civilized self† with Pocahontas and the Indians as the primitive other and John Smith and the Europeans as the civilized self. We are able to see through the Europeans, their ethnocentrism, and their naive attitudes that leads them to believe they own whatever land they land on and can treat the natives however they want. Disney however plays out this film in a way to show us his view on this ethnocentric bias and how he believes it to be wrong and unlawful. He makes the viewer side with the Indians and portrays the Indians as the good guys and the Europeans as the bad guys. Disney was trying to send a message that this whiteness way of thinking is not always correct and can sometimes bring harm to others even when its not intentional. Works Cited: Pocahontas. Walt Disney Feature Animation, 1995. Film. Seriff, Suzanne. â€Å"Cultural Anthropology: ANT 302. † University of Texas. Spring 2013. How to cite Pocahontas – Cultural Anthropology, Papers

An Exploration of Humour in Twelfth Night Essay Example For Students

An Exploration of Humour in Twelfth Night Essay While reading Twelfth Night, I realised that the audience would notice that there are many aspects of humour evident. Someone might think or argue that this theme is much more present Twelfth Night than other plays written by William Shakespeare, such as Romeo and Juliet the theme is that of a forbidden love. In a lot of Shakespeares plays they seem to move from chaos at the start of the play to harmony at the end of the play, Twelfth Night also follows this pattern, to a contemporary audience they may find it quite funny, but to a 21^st century audience they would just see this as a pattern. Humour, appears in different forms both in real life and in Twelfth Night. Sometimes it is in the form of verbal humour, sometimes visual and other times in forms, which cannot be categorised. Among the difficult forms to categorise (and paradoxically these can be visual or verbal) is humour, which is not always primarily funny. In Twelfth Night, there is a specific character who we would find funny by his drunken antics, he is the uncle to the fair lady Olivia and is called Sir Toby Belch, in Twelfth Night Sir Toby is a lord of misrule, in Shakespeares era in great households, at ime of festivities a servant would be allowed for say a weekend to get drunk and make a fool of himself so that everyone else in the household is entertained and this way through Tobys antics an audience would find him funny by his words and his choice of friends, we know that he likes to have a drink but he also likes excess of it: These Clothes are good enough to drink in (I iii 9-10) With drinking health to my niece These are not the last times that we see him drinking. These episodes are humorous when performed on stage as we have a visual picture of Sir Toby being quite short and rather fat. These assumptions were confirmed when I recently saw the Royal Exchanges theatres production of Twelfth Night where Toby Belch was in fact small and fat. Toby Belch can be compared to other of Shakespeares characters who is Falstaff from the play King Henry IV Part One, which I recently saw a video of. They are both very similar in their drinking, laziness and general attitude to events happening around them. There is an opposite character to Sir Toby Belch in terms of size; this is Sir Andrew Aguecheek who is slim, very tall (as Maria says) and very stupid. I think that it would appear very funny and trange to the audience (both contemporary and modern) to see both Aguecheek and Belch together. Someone could say that they are a sort of a visual oxymoronic duo, one being tall and slim and the other overweight and short. image001. gif] There is another droll part of the physical aspect, and that is towards the end of the play when we see the twins Viola and Sebastian, together and the rest of the characters on the stage surprised as well as the people watching, in seeing two identical Cesarios and Roderigos neither of whom is Cesario or Roderigo. This is perhaps an example of umour, which in its essence is neither visual nor verbal even though the visual is a vehicle for it. In Act 3, Scene 4, we see a very humorous scene where Malvolio is dressed in such a way that visually funny, this episode is very cruel trick, but Malvolio is the butt of a much more important trick in terms of its effects within the play. Hes coming, madam; but in a very strange manner. He is sure possessed, madam. (III iiii 8-9). This is because of the letter written by Olivia, which causes Malvolio to act as a fool dressing in: yellow stockings, and wished to see thee ever cross-gartered (II iiiii 136-7) .u04d59daa11c54466ab947aaba821db67 , .u04d59daa11c54466ab947aaba821db67 .postImageUrl , .u04d59daa11c54466ab947aaba821db67 .centered-text-area { min-height: 80px; position: relative; } .u04d59daa11c54466ab947aaba821db67 , .u04d59daa11c54466ab947aaba821db67:hover , .u04d59daa11c54466ab947aaba821db67:visited , .u04d59daa11c54466ab947aaba821db67:active { border:0!important; } .u04d59daa11c54466ab947aaba821db67 .clearfix:after { content: ""; display: table; clear: both; } .u04d59daa11c54466ab947aaba821db67 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u04d59daa11c54466ab947aaba821db67:active , .u04d59daa11c54466ab947aaba821db67:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u04d59daa11c54466ab947aaba821db67 .centered-text-area { width: 100%; position: relative ; } .u04d59daa11c54466ab947aaba821db67 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u04d59daa11c54466ab947aaba821db67 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u04d59daa11c54466ab947aaba821db67 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u04d59daa11c54466ab947aaba821db67:hover .ctaButton { background-color: #34495E!important; } .u04d59daa11c54466ab947aaba821db67 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u04d59daa11c54466ab947aaba821db67 .u04d59daa11c54466ab947aaba821db67-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u04d59daa11c54466ab947aaba821db67:after { content: ""; display: block; clear: both; } READ: Tess of the D'Urbervilles EssayI think that the audience in this case will be laughing to Malvolio because in the play he is not seen as being a good man but a bad on as his name suggests (Mal = Bad; volio = to want), the opposite of benevolent, but also for the way he is dressed, and I can say that having watched a production myself I can safely say that the audience did indeed the way Malvolio was dressed and the consequences of this joke played on him very funny, who thinks highly of himself and is self-important as we see when he reads the letter and shows his bumptiousness. So far we have mainly focused on the effect of visual humour n the stage and how it makes people laugh. Now we are going to explore the verbal humour in this play. If we talk about verbal humour then we also have to include wit; and a major wit in the play is Feste. Festes wit is evident because of the way that he answers people, like the episode when he proves Olivia and not himself to be the fool; at the end he wins showing great wit and intelligence. This example takes place in Act 1 Scene 5 Lines 63-64, where he has proved Olivia to be wrong: The more fool, Madonna, to mourn for your brothers soul being in heaven. Take away the fool, gentlemen. Here we see Feste that with witty verbal dexterity shows Olivias foolishness in mourning for nothing, because what would be the point of mourning for her brother if his soul is in heaven? In Twelfth Night there are consequences that are humorous which stem from the so-called love triangle, which is formed by Viola (Cesario), Olivia and Orsino. This situation is comical because we see that Olivia loves Cesario not knowing he is Viola, Viola loves Orsino who loves Olivia, who in due course marries Roderigo not realising not realising that not only is Roderigo not Cesario but ot Roderigo either. Happily in due course she is more than content with Sebastian. The humour is partly that the triangle exists so aesthetically because of the duality of Viola. The audience is aware but the characters are not, except of course, Viola herself. This is a case of Dramatic Irony where the audience knows more information about the characters, than the characters themselves. The audience would know very well that the situation is not true because the play itself is false, nothing of this ever happened, but the spectators will pay to watch the play because they want to have fun watching it. The amusement is in seeing Viola embarrassed in front of Olivia asking her to marry her. The question of he play being make-belief may well add to the humour when the audience reflects that not only is Cesario not Viola but that isnt Viola either, but an actor. Indeed this layering occurs even more lately when Olivia sees Sebastian as Roderigo, who she thinks is Cesario (but who is really Viola) Another comic situation caused by the disguising of Viola is when Sir Andrew wants to fight Viola and the people watching realise that both of them are not very good swordsman; Andrew because he is oo stupid and awkward and Viola because she is a woman and does not know how to fight. So considerable scope for visual humour as two incompetent fighters each believe the other can fight well. For the same reason, Shakespeare writes a funny episode; this is when Olivia first sees Cesario and falls in love at first sight. The audience would remember that she (Olivia) was supposed to mourn for seven years, but might be pleased at how readily she abandoned her foolish course when first seeing Cesario, who ironically was someone else. The reason why mourning once a day for seven years s foolish is because in Elizabethan times women usually married young (mid-teens plus) and in Olivias case after seven years she would be unfit to marry. .u7fed504c0c92cc8cb6534c8e71005cc3 , .u7fed504c0c92cc8cb6534c8e71005cc3 .postImageUrl , .u7fed504c0c92cc8cb6534c8e71005cc3 .centered-text-area { min-height: 80px; position: relative; } .u7fed504c0c92cc8cb6534c8e71005cc3 , .u7fed504c0c92cc8cb6534c8e71005cc3:hover , .u7fed504c0c92cc8cb6534c8e71005cc3:visited , .u7fed504c0c92cc8cb6534c8e71005cc3:active { border:0!important; } .u7fed504c0c92cc8cb6534c8e71005cc3 .clearfix:after { content: ""; display: table; clear: both; } .u7fed504c0c92cc8cb6534c8e71005cc3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7fed504c0c92cc8cb6534c8e71005cc3:active , .u7fed504c0c92cc8cb6534c8e71005cc3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7fed504c0c92cc8cb6534c8e71005cc3 .centered-text-area { width: 100%; position: relative ; } .u7fed504c0c92cc8cb6534c8e71005cc3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7fed504c0c92cc8cb6534c8e71005cc3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7fed504c0c92cc8cb6534c8e71005cc3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7fed504c0c92cc8cb6534c8e71005cc3:hover .ctaButton { background-color: #34495E!important; } .u7fed504c0c92cc8cb6534c8e71005cc3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7fed504c0c92cc8cb6534c8e71005cc3 .u7fed504c0c92cc8cb6534c8e71005cc3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7fed504c0c92cc8cb6534c8e71005cc3:after { content: ""; display: block; clear: both; } READ: Essay On Responsibility In An Inspector CallsIn the recent production of Twelfth Night that I saw at Manchesters Royal Exchange Theatre, there was an added piece of comedy that was added by that productions director, that is the addition of water on the stage, the floor was drenched and this added a slapstick style to the humour. Having explored Twelfth Night and its aspects of humour, we can safely say that to both a contemporary and modern audience this is a very funny play, with many sides to its humour.